Bibliography: 2017
- “Boston Pops Dedicates Season to its former conductor,” Andrea Shea
The ARTery (WBUR), 7 February 2017 - “Happy birthday, John Williams!”
Chicago Symphony Archives, 8 February 2017 - “Ann Hobson Pilot plays out a ground-breaking career,” Chris Angermann
Sarasota Herald-Tribune, 17 March 2017 - “The music of Henry Mancini, remembered,” Tim Greiving
Los Angeles Times, 2 April 2017 - “May the Fourth Spotlight on Joann Kane Music,” Scott Yoho
Finale blog, 4 May 2017 - “The film music of John Williams: the makings of an aesthetic,” Simon Cummings
Bachtrack, 17 May 2017 - “40 Years Ago, In A Galaxy Far, Far Away, An Iconic Film Score Was Born,” Anastasia Tsioulcas
Deceptive Cadence (NPR), 25 May 2017 - “At the Pops, John Williams conducts a grand tour of his own work,” Mark Shanahan
The Boston Globe, 1 June 2017 - “John Williams and Alan Silvestri to Score Steven Spielberg’s Next Films,” Jon Burlingame
Variety, 7 July 2017 - “BSO preps for premiere of John Williams work at Tanglewood,” Mark Shanahan
The Boston Globe, 12 July 2017 - “Anne-Sophie Mutter performs world premiere of John Williams’ Markings at Tanglewood,” Joe Donahue
The Roundtable (WAMC), 14 July 2017 - “Anne-Sophie Mutter, a John Williams premiere, and Bambis at Tanglewood,” Zoë Madonna
The Boston Globe, 14 July 2017 - “Markings, for solo violin, strings, and harp,” Robert Kirzinger
Boston Symphony program book, 16 July 2017 - “Das Rheingold, Trifonov splendid at Tanglewood,” Leslie Kandell
The Daily Gazette, 17 July 2017 - “Wagner, Nelsons, BSO give Tanglewood one of its great nights,” Andrew L. Pincus
The Berkshire Eagle, 17 July 2017 - “Mutter brings out Berkshire sun,” Steven Ledbetter
The Boston Musical Intelligencer, 19 July 2017 - “Prom 8: A blockbuster celebration of John Williams,” Louise Flind
Bachtrack, 21 July 2017 - “Hold the light sabers,” Richard S. Ginell
Los Angeles Times, 26 July 2017 - “Tanglewood on Parade,” Charles Giuliano
Berkshire Fine Arts, 2 August 2017 - “Tradition is alive and well at Tanglewood on Parade,” Clarence Fanto
The Berkshire Eagle, 2 August 2017 - “Kobe Bryant, John Williams team up on Dear Basketball,” Jon Burlingame
Film Music Society, 30 August 2017 - “Why Kobe Bryant hired John Williams to compose the score for his Dear Basketball film,” Tim Greiving
Los Angeles Times, 3 September 2017 - “Five-time Oscar winner John Williams talks bringing Star Wars scores to the New York Philharmonic,” Jay Gabler
Playbill, 12 September 2017 - “John Williams in Seattle,” Jeff Eldridge
johnwilliams.org, 28 September 2017 - “A composer for all seasons: On the range of John Williams,” Charlie Brigden
rogerebert.com, 12 December 2017 - “Why John Williams is more than a film composer,” Benjamin Pesetsky
Playbill, 21 December 2017 - “Solo Locks In Key Star Wars Veteran,” Jon Burlingame
Variety, 30 December 2017