Bibliography: 1998
- “Williams’ List — From Star Wars to Now,,” Jeff Bond, et al.
Film Score Monthly, January 1998, 3:1, 24–33 - “The Transcendent Sounds of Kundun,” Mark Swed
Los Angeles Times, 9 January 1998 - “Fox Newman Stage bows,” Jon Burlingame
Variety, 13 January 1998 - “Labels view film composers as the new classicists,” Jon Burlingame
Variety, 25 January 1998 - “Fanfare for the uncommon score,” Jon Burlingame
Variety, 25 January 1998 - “Disasters, Downbeats and Lil’ Dogies — John Williams in the Pre-Star Wars Years,” Jeff Bond, et al.
Film Score Monthly, February 1998, 3:2, 16–21 - “Pops program to feature composer’s familiar scores,” Roger McBain
Evansville Courier, 6 February 1998 - “Movie music is collaborative effort,” Roger McBain
Evansville Courier, 7 February 1998 - “Music of John Williams featured,” Joni Hoke
Evansville Courier, 8 February 1998 - “Return to Classical Scores,” Mark Swed
Los Angeles Times, 11 February 1998 - “Spielberg lured by BSO sound,” Beth Carney and Maureen Dezell
The Boston Globe, 19 February 1998 - “Sounds of Spielberg,” Richard Dyer
The Boston Globe, 24 February 1998 - “Overview: film music,” Mark Koldys, et al.
American Record Guide, March/April 1998 - “The Film Music of John Williams,” Ian Lace
Coventry University Music Web Site, Spring 1998 - “Oscar-nominated music,” Andy Trudeau
Weekend Edition Sunday (NPR), 1 March 1998 - “Keeping score helps Williams stay modest,” Janet Weeks and Elizabeth Snead
USA Today, 5 March 1998 - “The Sound of Israel,” James Roos
The Miami Herald, 5 April 1998 - “Composer scores hits on screen and podium,” Tim Smith
South Florida Sun Sentinel, 5 April 1998 - “Guest conductors lead Florida Philharmonic to noble triumph,” James Roos
The Miami Herald, 11 April 1998 - “Johnny Cool,” Jeff Bond, et al.
Film Score Monthly, May 1998, 3:4, 34–41 - “Watch the Record Stores, Please,” Jeff Bond
Film Score Monthly, May 1998, 3:4, 27–32+ - “Seven for Luck”
Boston Pops program book, May 23 1998, 37 - “Weekend starts on a high note at Pops,” Richard Dyer
The Boston Globe, 23 May 1998 - “How to Score in the Movies,” Tom Shone
The Sunday Times, 21 June 1998 - “Master of the Reel Classics,” Nicole Veash
The Independent, 1 July 1998 - “Scoring the American Dream,” Mark Walker
Living Music (LSO programme book), 1 July 1998 - “Unpretentiousness graces the stage at lively Sommerfest,” Michael Anthony
Minneapolis Star Tribune, 11 July 1998 - “A Little Goes a Long Way for Fans of Williams,” Ramon Moreno
Long Beach Press-Telegram, 20 July 1998 - “Poetry in movements,” Andrew L. Pincus
Berkshire Eagle, 24 July 1998 - “Violin Concerto, Seven for Luck,” Steven Ledbetter
Boston Symphony Orchestra program book, July 25 1998, 33–39 - “Circling Back To a Time Of Mystery And Wonder,” James R. Oestreich
The New York Times, July 27 1998, E5:6 - “John Williams’s many facets,” Susan Larson
The Boston Globe, 27 July 1998 - “A Standing Engagement,” Jon Burlingame
Los Angeles Times, 6 August 1998 - “Composers learn film music from the master,” Richard Dyer
The Boston Globe, 20 August 1998 - “John Williams in Chicago Concert,” Doug Adams
Film Score Daily, 27 August 1998 - “Sing America! Cynthia Haymon on Seven for Luck,” James Miller
Film Score Monthly, September 1998, 32 - “John Williams’s Lucky Seven,” James Miller
Film Score Monthly, September 1998, 31 - “Mr. Williams in England,” James Southall
Film Score Monthly, September 1998, 30–31 - “Boston Pops takes a nostalgic tour down memory lane,” Elsbet Wayne
Berkshire Eagle, 2 September 1998 - “Newman family scores a winner,” Jon Burlingame
Variety, 3 November 1998 - “Off the beaten track: Harmonious composer/director teams,” Bob Hershon
Cineaste, Winter 1998, 23:4, 38–41